Dauerleihgabe der Höheren Graphischen- Bundes- Lehr- und Versuchsanstalt Wien
vurderinger
proveniens
billedbeskrivelse
Porträt des Redakteurs Reitmayer, um 1850.
Emne navn
keywords vejledning
Daguerreotypie
links
Stereo plader
Nej
Samling
id
Albertina, Austria
Beskrivelse
Der überwiegende Teil des Daguerreotypiebestandes kam im Jahr 2000 als Dauerleihgabe der Höheren Graphischen Bundes- Lehr- und Versuchsanstalt in die Albertina. Durch Neuankäufe bedeutender Daguerreotypien wurde die Sammlung in den letzten Jahren gezielt vertieft und erweitert.
Skaber
Navn
Mutterer, Albin
notes
1826 - 1873
“(1826-1873) Schuhwichserzeuger, dann Fotograf. Geb. in Krotzingen/Schwarzwald, 1840 erste Daguerreotypien in Wien, 1848 erstes Atelier in Wien gemeldet, gest. in Wien, nach dem Tod Weiterführung des Ateliers durch Bruder Josef M. — Bekannter Wiener Fotograf in den 50er u. 60er Jahren, dessen Spezialität ‘Toten-Photographien‘ waren, wendete alle zeitgenössischen Verfahren an: Daguerreotypie, Kalotypie, Salzpapier, Nasses Kollodium.“ in: Otto Hochreiter, Timm Starl, “Lexikon zur österreichischen Fotografie“, in: Geschichte der Fotografie in Österreich, Band 2, hrsg. von Otto Hochreiter und Timm Starl im Auftrag des Vereins zur Erarbeitung der Geschichte der Fotografie in Österreich, Ausst.-Kat., Bad Ischl 1983, 93-209, 158
Vurdering
tidligere ændring
Ja
behandlet
Ja
Dato ændring slut
1960
Dato ændring start
2000
bemærkninger
provisorische Kartonbehausung
tegn
Rester på pladen; Genforseglet, improviseret og atypisk montering; Meget ridset
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Kommentar
Kommentar
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf
Albin Mutterer was well-known in Vienna for his portrait photographs of the wealthy society as well as his portraits of deceased persons. Mutterer took portraits of the dead not only if they would appear to be asleep, but apparently if they would be alive with the eyes wide open and propped before the camera. The Albertina also owns a salt-print photograph of the editor Reitmayer which was made in 1864 and which is considered today as one of the most astonishing portraits of a deceased. However, there are conspiciously similarities between the salt print and this daguerreotype. My research on Mutterer's techniques show that the portrait of 1864 is actually a copy of the daguerreotype. I wrote a paper on this topic which I would like to share with Daguerreobase. My research paper can be downloaded here: https://www.essex.ac.uk/arthistory/research/pdfs/rebus-issue-7/munforte.pdf