Group portrait of a family. The father is standing in front of a window with red pelmet (with tassels) and red curtains. He holds a top hat in his right hand. To his right and left are two girls. Seated to their left is (presumably) the mother, a near-profile view. She sits on a red-upholstered seat. Seated on the ground in front of her on (presumably) a low stool or cushion is a boy child, his legs slightly folded and holding a dark straw hat. The standing man has grey hair and sideburns. He wears a dark jacket, white waistcoat and shirt, dark tie. The two girls wear similar dresses, pale blue, fringed bodices and sleeves, pink bows at the neck, The older girl has a black necklace; she and her mother both hold a sheet of paper with a design or painting on the mother's lap. The younger girl's left arm rests on a table that has a bunch of flowers on it. The mother's dress is white with bold black stripes across bodice, upper and lower sleeves. She and the girls all have a white lace collar. The mother has a gold bracelet on her left wrist. The boy wears a dark jacket and white broad trousers, with a white shirt. His right hand holds his head. His straw hat has a dark ribbon. The wallpaper is boldly patterned with a renaissance type design. Strongly hand coloured, with gold highlights.
Tags
man; grey; hair; sideburns; shirt; jacket; cravat; waistcoat; trousers; seat; table; bunch of flowers; woman; dress; bracelet; jewelry; necklace; fringeing; girl; boy; picture; wallpaper; window; pelmet; curtain; straw hat; top hat; side parting; centre parting; hand coloured; gold highlight
With its own, original leather slip-case stamped with Claudet's name and details, the slip-case is held closed using a leather tab.
Assessments
Provenance
Image description
Group portrait of a family. The father is standing in front of a window with red pelmet (with tassels) and red curtains. He holds a top hat in his right hand. To his right and left are two girls. Seated to their left is (presumably) the mother, a near-profile view. She sits on a red-upholstered seat. Seated on the ground in front of her on (presumably) a low stool or cushion is a boy child, his legs slightly folded and holding a dark straw hat. The standing man has grey hair and sideburns. He wears a dark jacket, white waistcoat and shirt, dark tie. The two girls wear similar dresses, pale blue, fringed bodices and sleeves, pink bows at the neck, The older girl has a black necklace; she and her mother both hold a sheet of paper with a design or painting on the mother's lap. The younger girl's left arm rests on a table that has a bunch of flowers on it. The mother's dress is white with bold black stripes across bodice, upper and lower sleeves. She and the girls all have a white lace collar. The mother has a gold bracelet on her left wrist. The boy wears a dark jacket and white broad trousers, with a white shirt. His right hand holds his head. His straw hat has a dark ribbon. The wallpaper is boldly patterned with a renaissance type design. Strongly hand coloured, with gold highlights.
Subject name
Inscription
Printed label on verso UNDER THE PATRONAGE OF HER MAJESTY, BY ROYAL LETTERS PATENT. MR. ANTOINE CLAUDET, 107 REGENT STREET, (QUADRANT, NEAR VIGO STREET) DAGUERREOTYPES MINIATURES, PLAIN AND COLOURED STEREOSCOPIC DAGUERREOTYPE PORTRAITS
„Claudet betrieb sein Studio in London, war aber gebürtiger Franzose. Seit 1827 lebte er an der Themse, wo er sich als Importeur von technischem Glas (Scheiben und Glasstürze) einen Namen machte. Auf Anraten seines Freundes Lerebours nahm er 1839 Kontakt zu Daguerre auf. Er erlernte bei ihm die Technik und erwarb eine Lizenz für England. Dann importierte er Daguerreotypien nach London, wo sie als erste Lichtbilder am 15. Oktober 1839 dem Königspaar und im März 1840 der staunenden Öffentlichkeit in den Räumen der Royal Society vorgestellt wurden. Kurz nach Richard Beard eröffnete Claudet im Juni 1841 in London ein Atelier. Standort war ein Glashaus auf dem Dach der „Adelaide Gallery“. 1851 konnte Claudet aufgrund guten Geschäftsverlaufes in der Londoner Regent Street 107 ein neues Studio, den „Temple of Photographic“, einweihen.“ (Jochen Voigt: Spiegelbilder. Europäische und amerikanische Porträtdaguerreotypie 1840-1860, Chemnitz 2007, S. 127.) Sir Charles Barry, der das Parlament in Westminster errichtet hatte, baute Claudets neues Etablissement im Renaissancestil aus. (J.V.)
Royal Warrant granted on the 9th of July 1855.
Pale brown paper on back, large, with decorative coat of arms
Label annotations
Printed label on verso UNDER THE PATRONAGE OF HER MAJESTY, BY ROYAL LETTERS PATENT. MR. ANTOINE CLAUDET, 107 REGENT STREET, (QUADRANT, NEAR VIGO STREET) DAGUERREOTYPES MINIATURES, PLAIN AND COLOURED STEREOSCOPIC DAGUERREOTYPE PORTRAITS
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