Daguerreotype: 1990-5036/DB/32 1847-02-1855-06
Sommaire
- Identification
- 1990-5036/DB/32
- Datation
- Source
- Début
- 1847-02
- Fin
- 1855-06
- image_description
- Three quarter length portrait of a standing lady facing the viewer's left . She rests her right elbow on the round back of a silk upholstered chair. The chair has gilding around the edges and brass studs around the edge of the fabric. She wears a black peplum style jacket with vertical frills and long pagoda sleeves with a very fitted bodice. It has a thin lace collar and buttons down the front. There are folded cuffs on the jacket sleeves with pom- pom style buttons. There is an deep under cuff of white lace cotton with a black trim. She has a full gathered skirt of moire patterned fabric. She wears a gold ring on each hand and holds the lower end of a long gold chain. She wears an oval gold mounted cameo style brooch pinned to her dress neckline. Her hair has been put up at the back with a lace cover. There is cloud pattern backdrop behind. Hand coloured.
- Tags
- woman; portrait; lace cuff; lace collar; peplum; pom-poms; fob; gold chain; silk; chair; gold paint; brass studs; cloud backdrop; ring; satin jacket; button; sleeve; gathered skirt; handcoloured
- links
- http://www.photolondon.org.uk/pages/details.asp?pid=1246
http://www.npg.org.uk/collections/search/person/mp08120/william-edward-kilburn
http://en.wikipedia.org/wiki/William_Edward_Kilburn
Chargement des images
Objet
- Subject location=lieu géographique
- City of Westminster
- Identification
- 1990-5036/DB/32
- Daté
- Source
- Début
- 1847-02
- Fin
- 1855-06
- Nombre de plaques
- 1
- Remarques générales
- Stamped the cover of the case: Mr KILBURN BY APPOINTMENT 234 REGENT STREET with two coats of arms between the lettering. It is the royal warrant and photographer's name, 'Mr Kilburn, 234 Regent Street', stamped in gold on front. Kilburn' studio was based at 234 Regent street 234 Regent Street in Westminster between 1845 - July 1855.
- Evaluations
- Provenance
- Description de l'image
- Three quarter length portrait of a standing lady facing the viewer's left . She rests her right elbow on the round back of a silk upholstered chair. The chair has gilding around the edges and brass studs around the edge of the fabric. She wears a black peplum style jacket with vertical frills and long pagoda sleeves with a very fitted bodice. It has a thin lace collar and buttons down the front. There are folded cuffs on the jacket sleeves with pom- pom style buttons. There is an deep under cuff of white lace cotton with a black trim. She has a full gathered skirt of moire patterned fabric. She wears a gold ring on each hand and holds the lower end of a long gold chain. She wears an oval gold mounted cameo style brooch pinned to her dress neckline. Her hair has been put up at the back with a lace cover. There is cloud pattern backdrop behind. Hand coloured.
- Nom du sujet
- Inscription
- No inscription but stamped on the front cover is 'Mr KILBURN BY APPOINTMENT 234 REGENT STREET' with two royal coats of arms between the lettering.
- Mot-clé technique
- daguerreotype
- links
- http://www.photolondon.org.uk/pages/details.asp?pid=1246
http://www.npg.org.uk/collections/search/person/mp08120/william-edward-kilburn
http://en.wikipedia.org/wiki/William_Edward_Kilburn - Plaque stéréo
- Non
- Dimensions de la fenêtre
- Hauteur
- 71 mm / 2,8 inch
- Largeur
- 58 mm / 2,28 inch
- Dimensions de l'écrin
- Hauteur
- 105 mm / 4,13 inch
- Largeur
- 95 mm / 3,74 inch
- Profondeur
- 15 mm / 0,59 inch
- Forme de la fenêtre
- Arc
- Forme de l'écrin
- Rectangle
- Collection
- Identifiant
- National Media Museum, Bradford, United Kingdom
- Description
- UK-INS-NMeM ex Kodak Museum
- Créateur
- Nom
- Kilburn, William Edward
- notes
- Kilburn, William Edward D. Born at Ely Place, Holborn November 28 1818. Christened February 3 1819 in City of London 1 of 10 children. Married Louisa (1828 - 1892) had 1 son & 2 daughters. STUDIOS: 1. 234 Regent Street Feb 1847 - June 1855 then at 222 Regent Street South, Westminster. Advert in The Athenaeum 13/2/1847 number 1007, front page advertisement for Photographic Miniatures 234 Regent Street, Mr Kilburn checked 29/12/2023. Still at 234 Regent Street in Kelly’s Post Office Directory of London … 1852, page 834, see https://specialcollections.le.ac.uk/digital/collection/p16445coll4/id/181010/rec/2 Morning Chronicle 3rd of July 1855 advertisement by Kilburn that he has removed from 234 Regent Street to 222 Regent Street South. Times adverts February 9 1847; Illustrated London News February 20 1847 p 127; Athenaeum February 13 1847. 2. 277 Regent Street, Westminster July 1855 - 1863. 1851: photographer living at 234 Regent Street, Westminster. Living in Hampstead 1848 - 1855. 1855: photographer living at Woodbrooke, Cricklewood. 1861: photographer living at 16 Bridge Road, St John's Wood, St Marylebone. 1881: retired merchant living at St Rhadegund, Whitwell, Isle of Wight. 1891: retired merchant living as above. Eldest brother, Douglas (1811 - 1871) became one of Australia's earliest photographers. Royal patronage; self - styled "Her Majesty's Daguerrotypist". Commissioned by Prince Albert to photograph Chartist demonstration March 1848. Photo of General James Napier on view at Hering & Remington March 1849. Employed miniaturist Mansion 1847 - he left in May 1848 to work exclusively for Barratt. Photographed Richard Cobden while serving as commissioner for Great Exhibition 1851. Stereoscope registered January 12 1853 (Athenaeum February 13 1847 & March 26 1853). Exhibited James Robertson's photos of Crimean War January 1856 (reviewed Art Journal February 1856 p 62); claimed sole agency in their sale. Introduced Woodward solar camera to studio 1859. Great Exhibition 1851 - award in Class 10 No 294. International Exhibition 1862 - honorary mention for colour photos in Class XIV No 3108. Died in Whitwell, Isle of Wight December 11 1891. LITERATURE: list of journal articles in Johnson; Daguerreotype studies. Messrs Kilburn and Highschool. IN Athenaeum April 17 1847; Helio. (Brief account of studio). IN Humphrey's Journal Vol 14 March 15 1853 p 365; Werge; David A Wooters. Daguerreotype portraits by William E Kilburn. IN Image Vol 33 1990 pp 21 - 29, illus (portraits reproduced as engravings in Illustrated London News 1850 -1852). BIBLIOGRAPHY: The British photographic portrait gallery. 6 pts. London, Mason & Co, 1861. Card - mounted sepia tones, each with 1 or 2 pp text (uncredited). Price 1 shilling. 1. January 1861. Archbishop of Canterbury. 2. February 1861. Sir John Taylor Coleridge. 3. March 1861 Earl of Derby. 4. April 1861. Richard Monckton Milnes. 5. May 1861. Edward Cardwell. 6. June 1861. Dean of St Paul's. Athenaeum adverts January 12 & August 3 1861. From Photolondon Kilburn wurde am 28.11.1818 als eines von zehn Kindern seiner Eltern geboren. 1846 eröffnete er unter der Adresse Regent Street, Westminster, sein erstes Atelier, das bis zum Juli 1855 dort bestand. Der für Londons Fotogarfiegeschichte bedeutsame Fotograf trat zwischen 1846 und 1852 mit zahlreichen daguerreschen Bildnissen der königlichen Familie hervor. Als erster englischer Lichtbildner erhielt er den Titel eines Hofphotographen des britischen Königshauses. Zur Weltausstellung 1851 erhielt er eine Preismedaille. Kilburns Daguerreotypien zeichnen sich durch herausragende Kolorierung aus. Kilburn gehörte neben Claudet, Beard und Mayall zu den kommerziell erfolgreichsten Daguerreotypisten Londons. (J.V.); William Edward Kilburn, der erste der vielen «Photographer To Her Majesty And Royal Highness», war einer der erfolgreichsten Fotografen in London. Mit seinen, in einem eigenen Stil kolorierten Porträts gewann er an der ersten Weltausstellung in London 1851 eine Medaille. Wie Richard Beard (1801–1885), Antoine Claudet (1797–1867) und John Jabez Edwin Mayall (1810–1901) begann er nach der Weltausstellung stereoskopische Daguerreotypien zu machen. Kilburn hatte den von ihm entwickelten zusammenklappbaren stereoskopischen Taschenbetrachter patentieren lassen: «Kilburn’s Stereoscope, gesetzlich geschützt am 12. Januar 1853». Nach dem Aufklappen des Etuis konnte eine Platte mit zwei Betrachtungslinsen im Augenabstand hochgeklappt werden, so dass ein Stereoskop entstand. Durch die zwei Linsen wurden die Einzelbilder der Stereo-Daguerreotypie getrennt betrachtet und deshalb das Bild dreidimensional wahrgenommen. Vor allem nachdem Sir David Brewsters neues Stereoskop 1851 im Kristallpalast in London vorgestellt worden war, begann sich die «Stereomanie» auszubreiten, und einige Fotografen entwickelten eigene Betrachtermodelle. Taschenbetrachter, die direkt ins Etui der Daguerreotypien integriert waren, boten verschiedene Daguerreotypisten an. In Amerika entwickelten u. a. John F. Mascher und John Stull, beide aus Philadelphia, eigene Taschenbetrachter, in Deutschland Trutpert Schneider und in Österreich die Optiker Rospini und Waldstein. Kilburn, der einen ausgeprägten Geschäftssinn besass und in der Fotografie ein Mittel zur Massenproduktion von Miniaturmalereien sah, griff die aufgekommene Stereo-Daguerreotypie sofort auf. Er setzte auch hier seine Tradition der vollständigen Kolorierung der Platte fort. (in: Perret, Kunst und Magie der Daguerreotypie, 2006)
- nationality
- United Kingdom
- Evaluation
- Altérations antérieures
- Oui
- Traitement
- Inconnu
- Remarques
- This brown paper tape attached to the outer edge of the cover glass next to the red velvet pinch pad in the tray.
- Signes
- Rescellé
Chargement des images
Conditionnement
- Passe-partout
- Matériau
- Métal
- Couleur
- Or
- Motifs de décoration
- texture
- Séparateur en papier
- Peint
- Non
- Texture
- Non
- Présent
- Inconnu
- Peint
- Inconnu
- Etui
- Matériau
- Cuir
- Forme
- Rectangle
- Parties
- Couverture et plateau
- Matériau de décoration
- Bordure en relief; Grainé; Rainures
- Couleur du matériau
- Rouge foncé
- Charnières
- Matériau
- Cuir
- Mécanisme de fermeture
- Bouton-poussoir
- Rail decoration lid
- Ligne en creux sur trois côtés
- Décoration du rail de couverture
- En relief; Ligne en creux sur trois côtés
- Matériau du coussin-rembourrage
- Velours
- Couleur du coussin - rembourrage
- Rouge foncé
- Décoration du coussin-rembourrage
- Aucune
- Tray retrainer material
- Bois et velours
- Tray retrainer color
- Rouge foncé
- Nombre de fermoir
- 1
- Remarque sur la décoration des rails (?)
- Couvercle
- Rails
- Remarque sur la décoration
- Présent
- Inconnu
- Décoration présente
- Inconnu
- Coussin présent-présence d'un rembourrage
- Inconnu
- Retainer
- Présent
- Inconnu
- Incrustation
- Présent
- Inconnu
- Interior tray retainer present
- Inconnu
- Rails présents
- Inconnu
- Présence d'un preserver en métal
- Non
- Binding=Scellage
- Cadre
- Papier de finition
- Fond
- Verre de protection
- Présent
- Oui
- Peint
- Non
- Strass
- Inconnu
- Décoration
- Aucune
Chargement des images
Plaque
- Lignes de polissage
- Annotation
- Surface
- Virage à l'or
- Inconnu
- Présence d'un revêtement
- Inconnu
- Coloration appliquée
- Inconnu
- Garantie
- Securing retained by housing
- Inconnu
Chargement des images
Poinçon
Il n'y a pas d'information disponible concernant le poinçon pour cet enregistrement
Gallerie
Droits pour chaque image.:
Creative Commons – Attribution Non-commercial, Share Alike (BY-NC-SA)
- Avant restauration
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Pendant la restauration
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Après restauration
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Plaque
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Cachet
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Annotations
- DAG_MEMORIXBEELD_RESULT_DETAIL_SECTION_GALLERY_NOIMAGES
- Autre
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