Three quarter length portrait of an old woman with a girl, probably with her grandchild, seated. The woman looks to her right and wears a dark long sleeved dress with white collar and a brooch. She has a white lace-edged bonnet. The girl sits on her lap and looks towards the camera. She wears a patterned dress with long sleeves. There is a curtain in the background.
Three quarter length portrait of an old woman with a girl, probably with her grandchild, seated. The woman looks to her right and wears a dark long sleeved dress with white collar and a brooch. She has a white lace-edged bonnet. The girl sits on her lap and looks towards the camera. She wears a patterned dress with long sleeves. There is a curtain in the background.
Nome del soggetto
Iscrizione
"J. Weninger. Atelier grande Morskoi maison Person. Nr 37."
Parole chiave tecniche
daguerreotype
links
Lastre stereoscopiche
No
Dimensione della finestra
Altezza
101 mm / 3,98 inch
Larghezza
75 mm / 2,95 inch
Dimensione dell'astuccio
Altezza
170 mm / 6,69 inch
Larghezza
135 mm / 5,31 inch
Forma della finestra
Ottagono
Forma dell'astuccio
Rettangolo
Collezione
Proprietario
Tartu City Museum, Estonia
Descrizione
Tartu City Museum (Tartu Linnamuuseum) – Narva mnt 23, 51009 Tartu, Estonia. Phone +372 7461912, E-mail info@katarina.ee. The collection is divided into six sections: photographic, historical, archival, archaeological, numismatics and art. The museum holds collections of photography from the late 19th century (incl. one daguerreotype) until present and it is focused on views of the city of Tartu as well as on the heritage of photographers, who have been working in Tartu.
Autore
Nome
Weninger, Joseph
notes
Josephus Ernestus Weninger, geboren in Zellnitz, Untersteiermark (Selnica, Slowenien), studiert ab 1826 Porträtmalerei an der Akademie der Künste in Wien, reist 1841 als Miniaturmaler durch Böhmen, lernt in Karlsbad vermutlich bei Anton Martin das Daguerreotypieren, bietet im September 1841 erstmals Porträts in Prag an, 1842 in Leipzig, Dresden, Hamburg und Kopenhagen, wo er die königliche Familie ablichtet, nach einem Aufenthalt in Helsingør arbeitet er wieder in Kopenhagen und beteiligt sich im April 1843 mit Daguerreotypien an der Kunstausstellung im Schloß Charlottenburg, reist im Sommer 1843 nach Stockholm, bietet auch dort Daguerreotypien an, reist mit seinem Bruder Heinrich weiter über Finnland nach St. Petersburg, wo beide ein Atelier eröffnen, porträtiert Ende 1855 die Zarenfamilie, Ende 1857 wird das Atelier aufgegeben. (Quelle: Uwe Steen, “Joseph und Heinrich Weninger. Reisende Daguerreotypisten aus Österreich“, in: Fotogeschichte, Heft 70, 18. Jg., 1998, 3-19.)
Commenti
Commenti
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