Spotted glass on the inside. Label different from the other Stelzner daguerreotype in the Akerhusmuseet collection (same address). Label also different from National Library's Stelzner (FAU 067). Address different from FAU 067. Label is dated 1845? in Germany (S_WUP_1106)
vurderinger
proveniens
billedbeskrivelse
Portrett av svensken Eecklund i ung alder
Portrait of a Swede named Eecklund as a young man.
Emne navn
Eecklund
inskription
Yellow label: DAGUERREOTYP ... Stelzner portraitmaler. Jungfernstieg N 11 Hamburg. Eecklund /Svensk /Ven af H. C. Mathiesen
keywords vejledning
daguerreotype
links
Stereo plader
Nej
vindue størrelse
Højde
70 mm / 2,76 inch
Rettigheder på alle billeder
59 mm / 2,32 inch
Montering størrelse
Højde
138 mm / 5,43 inch
Rettigheder på alle billeder
109 mm / 4,29 inch
Dybde
8 mm / 0,31 inch
Vindue form
Ottekant
Montering form
Firkantet
Samling
id
Akershusmuseum, Norway
Beskrivelse
Ved mange ulike avdelinger gjenspeiles det mangfoldige Akershus, fra kristianiaborgernes herregårdsliv på Linderud Gård, storbondens stell på Gamle Hvam til husmannskår i de dype skoger på Aurskog-Høland Bygdetun. Opplev Asker Museum med kunstnerliv og kystkultur i vest, ta en reise tilbake i tiden med røyk og damp på Tertitten, eller sett deg ved pulten på Eventyrskolen i Nes og drøm deg bort i den norske eventyrskatten, malt på veggen av kjente norske malere.
Skaber
Navn
Stelzner, Carl-Ferdinand (1805-1894)
notes
Der Daguerreotypist Stelzner gehört zu den frühesten Porträtphotographen Deutschlands. In Paris hatte er sich 1831-1834 zum Miniaturmaler ausbilden lassen, wo er auch das neue Daguerreotypieverfahren schon kurz nach dessen Bekanntgabe beim Erfinder selbst erlernte, der dort öffentliche Demonstrationen abhielt. Im September 1842 eröffnete Carl Ferdinand Stelzner gemeinsam mit Hermann Biow ein erstes Atelier in Hamburg. 1854 erblindete Stelzner in Folge des Umganges mit der hochgiftigen Entwicklersubstanz Quecksilber.“ (Jochen Voigt: Spiegelbilder. Europäische und amerikanische Porträtdaguerreotypie 1840–1860, Chemnitz 2007, S. 66.);
Stelzner advertized in the Norwegian newspaper Morgenbladet in the summer of 1843 that he would be making daguerreotype portraits in Christiania (now Oslo). The lable on the verso of daguerreotype FAU067 shows his Hamburg address as it was used by him untill nov. 1844. It seems that he used two similar lables when in Norway, both name the same address in Hamburg, Caffamacherriehe No. 32 but With a different type font, seen easiest in the style of his "z" in Stelzner, where one version is a long "z" (see GBB-57505) and the other is short (GBB-57520) Some lables are on white (coated or uncoated surface) paper as in GBB-57505 and others on yellow (coated) paper as in FAU067.
Stelzner's photographic advertisment is seen in newspaper Morgenbladet dated 20.08.1843 where he informs of an 8 day stay in the city (see record text-test2Morgenbladet20-08-1843). On this occasion (may be the first) he arrived on asugust 10th by steamboat Christiania bound from Copenhagen.
link biography http://historiccamera.com/cgi-bin/librarium2/pm.cgi?action=app_display&app=datasheet&app_id=2485&
A lot of Stelzner's daguerreotypes are presented by the MKG Collection in Hamburg http://sammlungonline.mkg-hamburg.de/en/search?s=Stelzner&h=0&sort=scoreDesc
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